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TRIBE 03: REPUBLIC
of TYPE
FRISCO_REMIX: L/l
Peter
Lofting
Apple Computer Font Group
Cupertino, California
The two Ls make an interesting study of extremes: In sans
serif designs the lowercase l is often a homoglyph of
digit 1 and capital letter I
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so it has very little room
to maneuver. On-screen it usually takes a pixel at lower right to
claim its identity, but here for print its trying out an inverse
base serif. The capital L is one of the most dynamic glyphs
in the alphabet. The cursive form is a powerful figure8
that can take any amount of flourish at its entrance and exit strokes
and has an almost ballistic feel... an L-bow.
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