Zwart Vet, Max Kisman. 1988.

Originally cut out from red litho film, as a headline typeface for Vinyl music magazine, the geometric structure was very applicable for early type design experiments on the computer.

Emigré magazine: “...the reduced template of angles which generates Max Kisman‘s 1988 Zwartvet, akin to the minimal vocabulary of geometric elements employed in Albers’s 1925 stencil letters;...” (Ellen Lupton and J. Abbott Miller, Signs of Novelty, Emigré 15, 1990)